Bibliographie générale
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Haberland 1996
Detlef Haberland, Engelbert Kaempfer (1651-1716). A Biography, London, The British Library, 1996.

Han Chuang 1970-1071
Han Chuang (John Hay), "Hsiao I Gets the Lan-t’ing Manuscript by a Confidence Trick", National Palace Museum Bulletin, Gugong tongxun, vol. 5, n° 3, July / August 1970, p. 1-13 et vol. 5, n° 6, January / February 1971, p. 1-17.

Han Guopan 1973
Han Guopan, "Bu Tianshou “Lunyu Zheng shi zhu” xieben he Tangdai de shufa", Wenwu, 1973, n° 5, p. 56-61.

Han Yu 1922
Han Yu dans Zhu Wengong jiao changli xiansheng ji, juan 6, Sibu congkan jibu, Shanghai, Shangwu yinshuguan, 1922.

Hanan 1973
Patrick Hanan, The Chinese Short Story. Studies in Dating, Authership, and Composition, Cambridge (MA), Harvard University Press, 1973.

Hanan 1981
Patrick Hanan, The Chinese Vernacular Story, Cambridge, Harvard University Press, 1981.

Hanshu 1973
(Han) Ban Gu, Hanshu, 2 édition, Beijing, Zhonghua shuju, 1973, 12 vol.

Hargett 1986-1998
Jame M. Hargett, "Hsi-hsiang chi", dans W. Nienhauser (dir.), The Indiana Companion to Traditional Chinese Literature, Bloomington / Indianapolis, Indiana University Press, 1986-1998, vol. 1, p. 407-409, et vol. 2, p. 320-321.

Harrist 1999
Robert. E. Harrist et Wen C. Fong, The Embodied Image. Chinese Calligraphy from the John B. Elliott Collection, catalogue d’exposition, "Reading Chinese Calligraphy", p. 2-27 ; "A Letter from Wang Hsi-chih and the Culture of Chinese Calligraphy", p. 241-259, Princeton (NJ), The Art Museum, Princeton University, 1999.

Harrist 2001
Robert E. Harrist, "Copies, All the Way Down : Notes on the Early Transmission of Calligraphy by Wang Xizhi", The East Asian Library Journal, vol. X, n° 1, Spring 2001, p. 176-196.

Hartman 1986
Charles Hartman, "Poetry", dans The Indiana Companion to Traditional Chinese Literature, edited by William H. Nienhauser Jr. Bloomington (IN) / Indianapolis, Indiana University Press, 1986-1998, vol. 1, p. 59-74.

Hawkes 1959
David Hawkes, "The Wan Shou T’u : An Early Eighteenth Century Scroll-Painting", Oriental Art, vol. 5, n° 1, Autumn 1959, p. 110-113.

Hawkes 1967
David Hawkes, "Chinese Influence in European Drama", Transactions of the International Conference of Orientalists in Japan, 1967, p. 61-74.

Hawkes 1993
David Hawkes, "Ch’u tz’u", dans Michael Loewe (dir.), Early Chinese Texts. A Bibliographical Guide, "Early China Special Monograph Series", n° 2, The Society for the Study of Early China, Berkeley (CA), The Institute of East Asian Studies, University of California, 1993, p. 48-55.

Hearn 1996
Maxwell K. Hearn, Splendors of Imperial China. Treasures from the National Palace Museum, Taipei, The Metropolitan, Museum of Art, New York / National Palace Museum, Taipei, Rizzoli International Publications, New York, 1996.

Hegel 1981
Robert E. Hegel, The Novel in Seventeeth Century China, New York, Columbia University Press, 1981.

Hegel 1985
Robert E. Hegel "Distinguishing Levels of Audiences For Ming-Ch’ing Vernacular Literature : A Case Study", dans Johnson, Nathan, Rawski (dir.), Popular Culture in Late Imperial China, London, University of California Press, 1985, p. 112-142.

Hegel 1998
Robert E. Hegel, Reading Illustrated Fiction in Late Imperial China, Stanford, Stanford University Press, 1998.

Hegel 1998
Robert E. Hegel, "The Printing and Circulation of Literay Materials…" dans The Indiana Companion to Traditional Chinese Literature, New York, Indiana University Press, 1998, vol. 2, p. 124-132.

Hegel 2001
Robert E. Hegel, "Painting Manuals and the Illustration of Ming and Qing Popular Literature", The East Asian Library Journal, vol. X, n° 1, Spring 2001, p. 53-84.

Heijdra et Cao 1992
Martin J. Heijdra, and Cao Shuwen, "The World’s Earliest Extant Book Printed from Wooden Movable Type ? ’Chüan’ Seventy-Seven of the Tangut Translation of the “Garland Sutra”", The Gest Library Journal, 5, n° 1, Spring 1992, p. 70-89.

Helliwell 1986
David Helliwell, "Copies et réimpressions sous les dynasties Ming et Qing", dans Le livre et l’imprimerie en Extrême-Orient et en Asie du Sud, Bordeaux, Société des bibliophiles de Guyenne, 1986, p. 75-86.

Henricks 1989
Robert G. Henricks, Lao-tzu. Te-tao ching. A New Translation Based on the Recently Discovered Ma-wang-tui Texts, Classics of Ancient China, New York, Ballantine Books, 1989.

Hérodote 1964
Hérodote, Thucydide, Historiens grecs, Paris, Gallimard, coll. "Bibliothèque de la Pléiade", 1964.

Heyue 1997
Heyue cang zhen. Zhongguo gu ditu zhan (History through Maps. An Exhibition of Old Maps of China, Hong Kong, 1997), Hong Kong, Linshi shizheng ju, 1997.

Hightower 1957
James R. Hightower, "The Wen Hsuan and Genre Theory", Harvard Journal of Asiatic Studies, vol. 20, 3/4, 1957, p. 512-533.

Ho 1999
Ho Ch’uan-hsing, Donald E. Brix (trad.), "The Ting-wu Rubbing of Preface to the Orchid Pavilion Gathering in the National Palace Museum", National Palace Museum Bulletin, vol. XXXIV, n° 4, sept-oct. 1999, p. 1-11.

Holzman 1997
Donald Holzman, "On the Authenticity of the “Preface” to the Collection of Poetry Written at the Orchid Pavilion", Journal of the American Oriental Society, vol. 117, n° 2, April-June 1997, p. 306-311.

Hou et Pirazzoli 1979
Hou Ching-lang et Michèle Pirazzoli, "Les chasses d’automne de l’empereur Qianlong à Mulan", T’oung P’ao, 1979, p. 13-50.

Hou 1979
Hou Ching-lang, "Physiognomonie d’après le teint sous la dynastie des T’ang (une étude du manuscrit P. 3390)", dans M. Soymié (dir.), Contributions aux études de Touen-houang, "Collection des hautes études orientales", n° 10, Genève / Paris, Droz, 1979, p. 55-70.

Hou 1981
Hou Ching-lang, "Trésors du monastère Long-hing à Touen-houang : une étude sur le manuscrit P. 3432", dans M. Soymié (dir.), Nouvelles contributions aux études de Touen-houang, Genève, Droz, 1981, p. 149-168.

Hsiung 1989
Hsiung Ping-ming, "La philosophie taoïste en calligraphie", Cahiers d’études chinoises, 1989, p. 117-140.

Hou Hanshu 1973
(Song) Fan Ye, Hou Hanshu, Beijing, Zhonghua shuju, 1973, 5 édition, 12 vol.

Hsu 2000
Eileen Hsiang-ling Hsu, "Six dynasties xiejing calligraphy", The East Asian Library Journal, Autumn 2000, vol. IX, n° 2, p. 46-111.

Hu Dongchu 1991
Hu Dongchu, The Way of the Virtuous. The Influence of Art and Philosophy on Chinese Garden Design, Beijing, New York World Press, 1991.

Hu Fuchen 1995
Hu Fuchen (dir.), Zhonghua daojiao da cidian, Beijing, Zhongguo shehui kexue chubanshe, 1995.

Hu (Ph. K.) 2000
Philip K. Hu (dir.), Visible Traces. Rare Books and Special Collections from the National Library of China, New York / Beijing, The Queens Borough Public Library / National Library of China, Morning Glory Publishers, 2000.

Hu (Ph. K.) 2001
Philip K. Hu, "Retracing Visible Traces", dans The East Asian Library Journal, vol. X, n° 1, Spring 2001, p. 3-23.

Hua Rende 1999
Hua Rende, "The History and Revival of Northern Wei Stele-Style Calligraphy", dans Cary Liu, Dora C. Y. Ching et Judith G. Smith (dir.), Character and Context in Chinese Calligraphy, Princeton (NJ), The Art Museum, Princeton University, 1999, p. 101-131.

Huber 1904
Édouard Huber, "Études de littérature bouddhique", Bulletin de l’École française d’Extrême-Orient, IV, 1904, p. 698-726.

Hucker 1985
Charles O. Hucker, A Dictionary of Official Titles in Imperial China, Stanford, Stanford University Press, 1985.

Hummel 1943-1944
Arthur W. Hummel (dir.), Eminent Chinese of the Ch’ing Period (1644-1912), Washington (DC), The Library of Congress, United States Government Printing Office, 1943-1944, 2 vol.

Hurvitz 1976
Léon Hurvitz (trad.), Scripture of the Lotus Blossom of the Fine Dharma (The Lotus Sutra), Translated from the Chinese of Kumarajiva, New York, Columbia University Press, 1976.