The Nadars, a photographic legend

The Nadars

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Alexandre Dumas fils (1824-1895), with the Gymnase Theatre in the background

Félix Nadar, around 1850

Drawing not included in Nadar's Pantheon: caricature from the "Nadar's Contemporaries" series published in Le Journal amusant on 29 January, 1859
Charcoal sketch on brown paper with white-gouache highlights, 30.7 x 22.7 cm.
BnF, Prints and Photographs Department, STORAGE ECU BOX-NA-88
© Bibliothèque nationale de France
Alexandre Dumas fils, a famous Parisian figure, lived a gilded bohemian life as a dandy. Although he once said of the author of Comte de Monte Cristo (The Count of Monte Cristo): "My father was a big baby who I had when I was very young,” he nevertheless showed great admiration for his elder throughout his life. A portraitist of Paris’s demi-monde, the theatre in particular brought him fame and fortune. With La Dame aux camélias, ra novel published in 1848 and adapted for the stage in 1852, he made a stunning entrance on the literary scene, all the more so in that the plot immediately inspired Giuseppe Verdi’s opera, La Traviata, which premiered in 1853 at Venice’s La Fenice. Nadar inserted him into his Nadar’s Contemporaries series (Le Journal amusant, January 29 1859) and caricatured him – as a flower seller, of course – in Les Binettes Contemporaines.