Jules Michelet (1798-1874)
Félix Nadar, around 1850
Preliminary drawing for Nadar's Pantheon (N° 77 in the Pantheon)
Charcoal sketch on brown paper with white-gouache highlights, 23.3 x 15.7 cm.
BnF, Prints and Photographs Department, STORAGE ECU BOX-NA-88
© Bibliothèque nationale de France
During the July Monarchy, the historian Jules Michelet (1798-1874) was a professor at the École Normale and the Collège de France, as well as being Director of the Royal Archives. But his anti-Royalist and anti-clericalist opinions cost him all of those government-funded positions during the Second Empire, obliging him to live by his pen. The year before the Pantheon, he had finally completed his six-volume Histoire de la Révolution française (History of the French Revolution).
For Michelet, properly recounted, history had to be a complete “resurrection,” combining historical facts, representations and myths. A precursor of the cultural-history movement, which came to prominence in the latter half of the 20th century, he is considered the first “people’s historian,” in that he gave the anonymous masses a voice and a role in the march of history. Typical of the Romantic era, his ardent and lyrical style sometimes leads his books to be read as fiction.
For Michelet, properly recounted, history had to be a complete “resurrection,” combining historical facts, representations and myths. A precursor of the cultural-history movement, which came to prominence in the latter half of the 20th century, he is considered the first “people’s historian,” in that he gave the anonymous masses a voice and a role in the march of history. Typical of the Romantic era, his ardent and lyrical style sometimes leads his books to be read as fiction.
© BnF, Éditions multimédias, 2018