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Moving through her obscurity, forever incapable of seeing her own features, of recognising them, suddenly emerging for a second from anonymity and then returning to nothingness, Paul Strand’s blind woman expresses this antagonism between the affirmation of identity and the representation of the face. |
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"The other. Perceive each human being (image of oneself) like a prison in which a prisoner lives, with all the universe around it."
Simone Weil
La pesanteur et la grâce |
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